The release of the top nine most-streamed K-Pop songs of 2025 has generated a wave of mixed reactions among fans and netizens. Topping the list is Jin’s track “Don’t Say You Love Me,” which has left many listeners surprised and questioning its popularity. The rankings were published recently, showcasing a blend of established artists and newer voices in the K-Pop scene.
The full list includes:
9. “Love Hangover” — Jennie
8. “Mona Lisa” — J-Hope
7. “Killin’ It Girl” — J-Hope
6. “TAKEDOWN” — TWICE‘s Jihyo, Jeongyeon, and Chaeyoung
5. “ExtraL” — Jennie
4. “Born Again” — Lisa
3. “Jump” — BLACKPINK
2. “Like Jennie” — Jennie
1. “Don’t Say You Love Me” — Jin
While the success of Jin’s song is noteworthy, it has sparked questions about the track’s visibility and recognition within the broader K-Pop community. Many fans expressed their surprise on social media, noting that they had never encountered the song before its unexpected rise to the top.
Comments from listeners included remarks such as “A song I’ve never even heard of is in first place,” and “Other than ‘Like Jennie’ and ‘Jump,’ these are all titles I’m hearing for the first time?” This sentiment reflects a sense of puzzlement over how a song that seems unfamiliar to many could achieve such significant streaming numbers.
Despite the criticism, some fans defended Jin, pointing out his established career and previous successful tours. One commenter noted, “Isn’t this an artist who’s already proven themselves through a tour? I thought they filled their concerts pretty well.” This response highlights the complex relationship between chart performance and audience awareness in the rapidly evolving K-Pop landscape.
The K-Pop industry has been characterized by its dynamic nature, where new releases often compete for attention across multiple platforms. As streaming becomes a more prominent measure of success, rankings like these can provoke varied reactions that underscore the diverse preferences within the fanbase.
As the debate around the most-streamed songs of 2025 continues, the K-Pop community remains engaged, reflecting the genre’s passionate and active following. With artists like Jennie, J-Hope, and BLACKPINK featuring prominently, it is evident that the landscape of K-Pop is as vibrant and multifaceted as ever. The ongoing discussions surrounding these rankings illustrate not only the competitive nature of K-Pop but also the deep connections fans form with their favorite artists and songs.
Looking ahead, it will be fascinating to see how these trends evolve and what new sounds will emerge in the ever-changing world of K-Pop.
