Two indigenous mycologists in Mexico are at the center of a new feature documentary, Daughters of the Forest, which explores the intersection of ancient practices and modern science. Directed by Otilia Portillo Padua, the film invites audiences on an immersive journey that reimagines the relationship between humans and fungi.
The documentary will have its world premiere on March 13, 2024, at the Copenhagen International Documentary Film Festival (CPH:DOX). It is part of the prestigious DOX:Award main competition section. Later that same day, Daughters of the Forest will also debut in North America during the Visions section of the South by Southwest (SXSW) festival in Austin, Texas.
Exploring Interdependence Through Mycology
The film features the perspectives of two young mycologists, Eliseete and Julieta, who embody a blend of scientific training and indigenous cultural heritage. The synopsis describes Daughters of the Forest as “a story of entanglements: between humans and mushrooms; the visible and the invisible, generational knowledge and modern science.”
This atmospheric documentary, produced by Oscura Producciones and Sandbox Films, highlights the urgent need to rethink our ecological relationships in a world increasingly threatened by climate change and deforestation. The film’s co-executive producer, Argentine actress Mia Maestro, emphasizes its unique portrayal of ecological coexistence.
Portillo Padua reflects on the film’s thematic depth, stating, “The apocalyptic narrative is one we know all too well, echoing through news headlines of genocide, mass extinctions, and climate emergencies.” She argues that to envision alternative futures, society must also explore new stories, beginning with a deep listening to fungi.
A Collaborative Vision of Cinema
The documentary embodies what Portillo Padua describes as “cinema of interdisciplinary alliances.” It is a collaboration of foragers, indigenous communities, scientists, filmmakers, artists, and, notably, fungi. The director cites Ursula K. Le Guin’s work, The Carrier Bag Theory of Fiction, as an influence that inspired the film’s conception. Portillo Padua explains, “This story began with questions rather than answers,” aiming to create a cinematic experience that invites audiences to engage with the world in a new and transformative way.
Producer Paula Arroio notes that the film employs a “mycelial lens” to guide viewers through a narrative of interconnectedness between humans and non-human entities. Producer Elena Fortes emphasizes the film’s goal of challenging conventional narratives, presenting a woman who embodies resilience in contrast to traditional depictions of domination.
The executive producers echo this sentiment, highlighting the film’s mission to broaden perspectives on knowledge and interconnectivity. Caitlin Mae Burke, head of production and development at Sandbox Films, suggests that the film’s approach defies singular paths to understanding the natural world, merging ancestral wisdom with scientific inquiry.
As the film approaches its premiere, Maestro describes it as an unusual sensory experience, combining evocative visuals with layered sound design. She praises Portillo Padua’s artistry in weaving together science and indigenous knowledge, demonstrating that these realms can coexist harmoniously.
Audiences eager to delve into the immersive world of Daughters of the Forest can look forward to its upcoming screenings. The documentary promises to be a thought-provoking exploration of ecological themes that resonate deeply with contemporary societal challenges. An exclusive trailer is available for those curious about this unique cinematic journey.
