New cinematic releases this January delve into themes of adolescence, love, and the human condition through unique narratives and compelling performances. Three films—“The Plague,” “We Bury the Dead,” and “The Dutchman”—each offer distinct perspectives on their characters’ journeys, showcasing the complexities of youth and relationships.
“The Plague” Explores Puberty and Isolation
Directed by Charlie Polinger, “The Plague” is a coming-of-age drama set in 2003 at a youth water polo camp. The film, which runs for 1 hour and 38 minutes, features a cast of young actors led by Everett Blunck, Kenny Rasmussen, and Kayo Martin. Blunck portrays Ben, a 12-year-old navigating the challenges of adolescence while grappling with peer pressure and friendship.
Ben befriends Eli, played by Rasmussen, who suffers from severe eczema and faces ridicule from his peers. As their friendship develops, Ben becomes a target for bullying himself, led by the antagonistic Jake, portrayed by Martin. The film effectively captures the struggles of youth, echoing themes from William Golding’s classic novel “Lord of the Flies.”
Polinger’s direction, combined with strong performances, particularly from Blunck, who delivers a sympathetic portrayal, adds depth to the narrative. The film’s cinematography, executed by Steven Breckon, enhances the emotional landscape of the story. Critics have noted the film’s engaging depiction of adolescence, awarding it a grade of B+.
“We Bury the Dead” Offers a Unique Zombie Narrative
In the horror-thriller “We Bury the Dead,” Daisy Ridley stars as Ava Newman, a woman on a quest to find her husband amidst a zombie outbreak triggered by a military accident. The film, directed by Zak Hilditch and lasting 1 hour and 35 minutes, presents a mix of horror and drama as Ava navigates the dangers of a post-apocalyptic landscape in Hobart, Australia.
Despite the film’s premise, critics have noted that it lacks the tension expected from a zombie narrative. Ridley’s performance is commendable, yet some argue that her character does not convey the fear typically associated with the genre. The film’s exploration of unrequited love and personal loss is overshadowed by inconsistent pacing and a convoluted plot. As a result, it received a grade of C+.
“The Dutchman” Revisits a Classic with Modern Themes
Directed by Andre Gaines, “The Dutchman” is a contemporary adaptation of Amiri Baraka’s influential play, originally written in 1964. This film, lasting 1 hour and 29 minutes, attempts to address complex themes of race and identity through the relationship between Clay, played by Andre Holland, and Lula, portrayed by Kate Mara.
While the film aims to provoke thought about social issues, some critics feel that its execution leans too heavily on philosophical dialogue rather than character development. The chemistry between Holland and Mara is criticized for lacking depth, with their encounters feeling forced and unconvincing. The film has been rated C- for its inability to effectively translate stage concepts into a cinematic format, despite having a talented ensemble cast.
Each of these films contributes uniquely to the current cinematic landscape, engaging audiences with themes that resonate on various levels. From the innocence of youth in “The Plague” to the existential dilemmas of love in “We Bury the Dead” and the societal reflections in “The Dutchman,” they each offer a distinct viewing experience in January’s film offerings.
