Akinola Davies Jr., a British Nigerian director, has received significant recognition for his debut feature film, “My Father’s Shadow,” which premiered at the prestigious Cannes Film Festival. The film garnered a commendation from the jury, marking a historic moment as it became the first Nigerian film to be included in the festival’s official selection. Davies Jr. expressed feeling “overwhelmed and overjoyed” during the event, reflecting on his journey leading up to this landmark achievement.
The film, which is set to be released in cinemas in the UK on February 6, 2024, and the US on February 13, 2024, tells a poignant, semi-autobiographical story of paternal estrangement and loss. Written by Davies Jr. and his brother, Wale Davies, it features British Nigerian actor Ṣọpẹ́ Dìrísù in the role of Folarin, a father who takes his sons to Lagos in the wake of the tumultuous 1993 Nigerian general election.
“My Father’s Shadow” is deeply rooted in the Davies brothers’ personal experiences, as they lost their father at a young age. The screenplay, developed over a decade ago, explores themes of memory and loss. Davies Jr. described how he was emotionally moved when he first read the script, stating, “When you experience loss, you just face it front on… I found it extremely emotional.”
The film’s setting is significant, taking place against the backdrop of Nigeria’s political turmoil in 1993, a period marked by the annulment of an election that many believed would bring about democratic change. The film’s production involved a collaborative effort between the UK, Ireland, and Nigeria, with notable backing from organizations such as BBC Films and Element Pictures. Filming took place in Lagos, where Davies Jr. aimed to authentically depict the city’s essence and the lives of its working-class residents.
Shooting conditions in Lagos presented challenges, described by producer Rachel Dargavel as “like climbing a mountain every day.” Despite these obstacles, the local community’s involvement was crucial. Funmbi Ogunbanwo, a producer and co-founder of Fatherland Productions, emphasized the importance of leaving locations “slightly better than we met it,” enhancing the film’s connection to its setting.
The film’s performances are a central focus, with Dìrísù delivering a compelling portrayal of Folarin. He noted the weight of responsibility associated with the role and aimed to honor the complexities of Nigerian fatherhood during a challenging historical moment. The film also features Chibuike Marvellous Egbo and Godwin Egbo as Folarin’s sons, who made their screen debuts at ages nine and eleven. Ogunbanwo recalled the extensive search for the right actors, stating they auditioned over 200 boys to find the perfect fit.
“My Father’s Shadow” delves into Nigeria’s past in a manner not often depicted in its cinema, contrasting with the more action-oriented narratives typically associated with Nollywood. The film has been recognized at various international film festivals, including stops in Toronto, London, and Busan, and has garnered multiple nominations, including 12 at the British Independent Film Awards.
Davies Jr. is particularly proud of the film’s reception in the Global South and its ability to spark conversations about Nigeria’s history. He noted that the film resonated deeply with audiences, prompting discussions among families about their experiences during the 1993 election.
As the film continues to gain accolades, including nominations for outstanding debut at the BAFTA awards, Davies Jr. reflects on the journey. He recognizes the film’s impact not only on his career but also on the community involved in its creation. “It’s a reminder that film is not a singular undertaking; it takes a group and community,” he stated.
“My Father’s Shadow” represents a significant step forward for Nigerian cinema, showcasing the potential for independent filmmakers to bring diverse narratives to the forefront. As the film is set to reach wider audiences, the hope remains that it will inspire further interest in Nigerian stories and contribute to the evolution of the country’s cinematic landscape.
